Art and Polarity—Towards a Theology of Art, with Special Reference to Ezekiel's Prophetic Sign-Acts

dc.contributor.advisorMalherbe, Johannes S.
dc.creatorGrossmann, Magnus J.
dc.dateMay 2020
dc.date.accessioned2022-10-04T10:29:29Z
dc.date.available2022-10-04T10:29:29Z
dc.degreeDoctor of Philosophy in Theology
dc.description.abstractThis dissertation is dedicated to the research of art and its theological significance. A summary of theologically relevant, art-theoretical conceptions of the underlying phenomenon serves as a starting point and allows for a reconsideration of prophetic sign-acts as artistic performances. Both art in general as well as prophetic sign-acts, particularly those in the book of Ezekiel, reveal polarity as a common and arguably defining feature. Thus, four polarities, which are art-theoretically relevant and prominently featured in Ezekiel's prophetic sign-acts, are studied in detail. The resulting insight, that polarity is a necessary element within the emergence of art, is associated with the revelatory nature of the latter. Thus, it is concluded that art should be considered as a manifestation of divine revelation. Finally, this conclusion is supplemented by an overview of its practical consequences within different theological disciplines as well as contemporary art.
dc.format.extent335p
dc.identifierhttps://sats-dspace.s3.af-south-1.amazonaws.com/Theses/Thesis_PhD_2020_GrossmannM.pdf
dc.identifier.urihttps://hdl.handle.net/20.500.14194/2865
dc.languageeng
dc.publisherSouth African Theological Seminary Johannesburg
dc.titleArt and Polarity—Towards a Theology of Art, with Special Reference to Ezekiel's Prophetic Sign-Acts
dc.typeThesis

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